A revised edition of the Notting Hill Editions essay collection by the late Sir Roger Scruton with a new introduction by Douglas Murray. Confessions of a Heretic is a collection of provocative essays by the influential social commentator and polemicist Roger Scruton. Each "confession" reveals aspects of the author's thinking that his critics would probably have advised him to keep to himself. In this selection, covering subjects from art and architecture to politics and nature conservation, Scruton challenges popular opinion on key aspects of our culture: What can we do to protect Western values against Islamist extremism? How can we nurture real friendship through social media? Why is the nation-state worth preserving? How should we achieve a timely death against the advances of modern medicine? This provocative collection seeks to answer the most pressing problems of our age. In his introduction, the bestselling author and commentator Douglas Murray writes of what it cost Scruton to express views considered unpalatable, and of the importance of these ideas after Scruton's death.

Roger Scruton's How to be a Conservative presents the case for modern conservatism not in the terms of an elegy but rather as a practical example of how to live as a conservative despite the pressures to live otherwise. As he writes, the book 'is not about what we have lost, but about what we have retained, and how to hold on to it'.

In this witty and frank account, Scruton draws on his years of experience as a counter-cultural presence in public life. He examines the truths in Nationalism, Socialism, Capitalism, Liberalism, Multiculturalism, Environmentalism, Internationalism and finally Conservatism. The book concludes on a personal note, with 'a valediction forbidding mourning but admitting loss'.

In The Soul of the World, renowned philosopher Roger Scruton defends the experience of the sacred against today's fashionable forms of atheism. He argues that our personal relationships, moral intuitions, and aesthetic judgments hint at a transcendent dimension that cannot be understood through the lens of science alone. To be fully alive--and to understand what we are--is to acknowledge the reality of sacred things. Rather than an argument for the existence of God, or a defense of the truth of religion, the book is an extended reflection on why a sense of the sacred is essential to human life--and what the final loss of the sacred would mean. In short, the book addresses the most important question of modernity: what is left of our aspirations after science has delivered its verdict about what we are? Drawing on art, architecture, music, and literature, Scruton suggests that the highest forms of human experience and expression tell the story of our religious need, and of our quest for the being who might answer it, and that this search for the sacred endows the world with a soul. Evolution cannot explain our conception of the sacred; neuroscience is irrelevant to our interpersonal relationships, which provide a model for our posture toward God; and scientific understanding has nothing to say about the experience of beauty, which provides a God's-eye perspective on reality. Ultimately, a world without the sacred would be a completely different world--one in which we humans are not truly at home. Yet despite the shrinking place for the sacred in today's world, Scruton says, the paths to transcendence remain open.

Discover for yourself the pleasures of philosophy! Written both for the seasoned student of philosophy as well as the general reader, the renowned writer Roger Scruton provides a survey of modern philosophy. Always engaging, Scruton takes us on a fascinating tour of the subject, from founding father Descartes to the most important and famous philosopher of the twentieth century, Ludwig Wittgenstein. He identifies all the principal figures and outlines the main intellectual preoccupations that have informed western philosophy. Painting a portrait of modern philosophy that is vivid and animated, Scruton introduces us to some of the greatest philosophical problems invented in this period and pursued ever since. Including material on recent debates, A Short History of Modern Philosophy is already established as the classic introduction. Read it and find out why.

Discover for yourself the pleasures of philosophy! Written both for the seasoned student of philosophy as well as the general reader, the renowned writer Roger Scruton provides a survey of modern philosophy. Always engaging, Scruton takes us on a fascinating tour of the subject, from founding father Descartes to the most important and famous philosopher of the twentieth century, Ludwig Wittgenstein. He identifies all the principal figures as well as outlines of the main intellectual preoccupations that have informed western philosophy. Painting a portrait of modern philosophy that is vivid and animated, Scruton introduces us to some of the greatest philosophical problems invented in this period and pursued ever since. Including material on recent debates, A Short History of Modern Philosophy is already established as the classic introduction. Read it and find out why.

Architecture is distinguished from other art forms by its sense of function, its localized quality, its technique, its public and nonpersonal character, and its continuity with the decorative arts. In this important book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Aesthetic understanding is inseparable from a sense of detail and style, from which the appropriate, the expressive, the beautiful, and the proportionate take their meaning. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value.

In a new introduction, Scruton discusses how his ideas have developed since the book's original publication thirty years ago, and he assesses the continuing relevance of his argument for the twenty-first century.

Roger Scruton explores the place of God in a disenchanted world. His argument is a response to the atheist culture that is now growing around us, and also a defence of human uniqueness. He rebuts the claim that there is no meaning or purpose in the natural world, and argues that the sacred and the transcendental are 'real presences', through which human beings come to know themselves and to find both their freedom and their redemption. In the human face we find a paradigm of meaning. And from this experience, Scruton argues, we both construct the face of the world, and address the face of God. We find in the face both the proof of our freedom and the mark of self-consciousness. One of the motivations of the atheist culture is to escape from the eye of judgement. You escape from the eye of judgement by blotting out the face: and this, Scruton argues, is the most disturbing aspect of the times in which we live. In his wide-ranging argument Scruton explains the growing sense of destruction that we feel, as the habits of pleasure seeking and consumerism deface the world. His book defends a consecrated world against the habit of desecration, and offers a vision of the religious way of life in a time of trial.

A brief, radical defense of human uniqueness from acclaimed philosopher Roger Scruton In this short book, acclaimed writer and philosopher Roger Scruton presents an original and radical defense of human uniqueness. Confronting the views of evolutionary psychologists, utilitarian moralists, and philosophical materialists such as Richard Dawkins and Daniel Dennett, Scruton argues that human beings cannot be understood simply as biological objects. We are not only human animals; we are also persons, in essential relation with other persons, and bound to them by obligations and rights. Scruton develops and defends his account of human nature by ranging widely across intellectual history, from Plato and Averroes to Darwin and Wittgenstein. The book begins with Kant's suggestion that we are distinguished by our ability to say "I"-by our sense of ourselves as the centers of self-conscious reflection. This fact is manifested in our emotions, interests, and relations. It is the foundation of the moral sense, as well as of the aesthetic and religious conceptions through which we shape the human world and endow it with meaning. And it lies outside the scope of modern materialist philosophy, even though it is a natural and not a supernatural fact. Ultimately, Scruton offers a new way of understanding how self-consciousness affects the question of how we should live. The result is a rich view of human nature that challenges some of today's most fashionable ideas about our species.

Roger Scruton looks at the central ideas of conservatism over the centuries. He examines conservative thinking on civil society, the rule of law and the role of the state on the one hand; and freedom (including freedom of expression and association), morality, equality, property and rights on the other. He traces the origins and development of the conservative ideology in the philosophies and thoughts of, among others, John Locke, Thomas Hobbes, David Hume, Edmund Burke, Adam Smith, John Stuart Mill, John Ruskin, Michael Oakeshott, Friedrich Hayek, Milton Friedman and Robert Nozick. He shows how conservative ideas have worked out in the politics and policies of leading figures people such as Thomas Jefferson, Benjamin Disraeli, the Earl of Salisbury, Calvin Coolidge, Winston Churchill, Ronald Reagan and Margaret Thatcher. He also looks closely at the degree to which capitalism and free markets have been, and are integral to, conservative ideology and politics in the UK and in the USA. Professor Scruton's clear, incisive guide is essential reading for anyone wishing to understand the politics and policies of the west now and over the last three centuries.

Philosopher Roger Scruton offers a wide-ranging perspective on philosophy, from logic to aesthetics, written in a lively and engaging way that is sure to stimulate debate. Rather than producing a survey of an academic discipline, Scruton reclaims philosophy for worldly concerns.

A devastating critique of New Left thinking

In Fools, Frauds and Firebrands, Roger Scruton first surveys and then deconstructs the golden idols of left wing thought from the 1960s to the present day. He dissects the hollow works of Hobsbawm and E. P. Thompson, Galbraith and Dworkin, Sartre and Foucault and exposes the lack of coherence in the works of Althusser, Lacan, Deleuze, Badiou and Zizek.

Scruton ponders why the humanities have become so unambiguously aligned to the left, and reveals how fully such thinking has seized the academy in its grasp. In this provocative, compelling and highly entertaining book he explains why empty rhetoric abounds over careful analysis and blatant nonsense over respectable logic, in a shattering demolition of some of today's most fashionable philosophers.

In this poignant and personal tribute Roger Scruton gives an account of England which is both an illuminating analysis of its institutions and culture, and a celebration of its virtues. Covering all aspects of the English inheritance, and informed by a unique philosophical vision, England: An Elegy shows that there is such a country as England, that it has a distinct personality and endows its residents with a distinct moral ideal.

This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particularly of “aesthetic description�) to a theory of aesthetic appreciation, and thence to an account of the nature and value of art.         Scruton examines and rejects various attempts made by recent philosophers to demarcate the realm of aesthetic judgment. He argues that the logic of aesthetic judgment does not suffice to distinguish what is “aesthetic� from what is not, for aesthetic judgments must be explained in terms of the conditions for their acceptance rather than the conditions for their truth. These “acceptance conditions� can be understood only if we first know what is meant by aesthetic experience. This theory attempts to show how aesthetic experience can be regarded as autonomous, even though it is intimately connected with ordinary experience, and is indeed dependent on ordinary experience for its full description.

Roger Scruton's "Dictionary of Political Thought "has been widely acclaimed as a profound and incisive guide to political ideas. This new edition takes stock of the revolutionary political changes that have taken place since the dictionary was first published in 1982, bringing the dictionary right up to date. Some 1790 entries cover every aspect of political thought, defining concepts and ideologies, surveying the arguments on issues, giving capsule histories of political institutions, and summarizing (with newly expanded treatment) the thought of major political theorists. The dictionary provides a readable and impartial survey of political thought, of immense value to students of political science, government, philosophy and jurisprudence as well as to the general reader with an interest in ideas.

Roger Scruton's "Dictionary of Political Thought "has been widely acclaimed as a profound and incisive guide to political ideas. This new edition takes stock of the revolutionary political changes that have taken place since the dictionary was first published in 1982, bringing the dictionary right up to date. Some 1790 entries cover every aspect of political thought, defining concepts and ideologies, surveying the arguments on issues, giving capsule histories of political institutions, and summarizing (with newly expanded treatment) the thought of major political theorists. The dictionary provides a readable and impartial survey of political thought, of immense value to students of political science, government, philosophy and jurisprudence as well as to the general reader with an interest in ideas.

We are familiar with the medical opinion that a daily glass of wine is good for the health and also the rival opinion that any more than a glass or two will set us on the road to ruin. Whether or not good for the body, Scruton argues, wine, drunk in the right frame of mind, is definitely good for the soul. And there is no better accompaniment to wine than philosophy. By thinking with wine, you can learn not only to drink in thoughts but to think in draughts. This good-humoured book offers an antidote to the pretentious clap-trap that is written about wine today and a profound apology for the drink on which civilisation has been founded. In vino veritas.

Music as an Art begins by examining music through a philosophical lens, engaging in discussions about tonality, music and the moral life, music and cognitive science and German idealism, as well as recalling the author's struggle to encourage his students to distinguish the qualities of good music. Scruton then explains - via erudite chapters on Schubert, Britten, Rameau, opera and film - how we can develop greater judgement in music, recognising both good taste and bad, establishing musical values, as well as musical pleasures. As Scruton argues in this book, in earlier times, our musical culture had secure foundations in the church, the concert hall and the home; in the ceremonies and celebrations of ordinary life, religion and manners. Yet we no longer live in that world. Fewer people now play instruments and music is, for many, a form of largely solitary enjoyment. As he shows in Music as an Art, we live at a critical time for classical music, and this book is an important contribution to the debate, of which we stand in need, concerning the place of music in Western civilization.

This book reveals what life was like for Roger Scruton growing up in High Wycombe, how he survived Cambridge and how he came to hold his conservative outlook. It tells of Scruton's rise to prominence while writing for The Times and sheds light on his campaign on behalf of underground dissidents in Eastern Europe. Ranging across topics as diverse as the current state of British philosophy, music, religion, and illuminating what lay behind Scruton's abandonment of academia for his new life on a Wiltshire farm, Conversations with Roger Scruton is an intimate portrait of a writer who has felt philosophy as a vocation and whose defence of unfashionable causes has brought him a wide readership in Britain and around the world.

What do we mean by 'culture'? This word, purloined by journalists to denote every kind of collective habit, lies at the centre of contemporary debates about the past and future of society. In this thought-provoking book, Roger Scruton argues for the religious origin of culture in all its forms, and mounts a defence of the 'high culture' of our civilization against its radical and 'deconstructionist' critics. He offers a theory of pop culture, a panegyric to Baudelaire, a few reasons why Wagner is just as great as his critics fear him to be, and a raspberry to Cool Britannia. A must for all people who are fed up to their tightly clenched front teeth with Derrida, Foucault, Oasis and Richard Rogers.

A brief, radical defense of human uniqueness from acclaimed philosopher Roger Scruton In this short book, acclaimed writer and philosopher Roger Scruton presents an original and radical defense of human uniqueness. Confronting the views of evolutionary psychologists, utilitarian moralists, and philosophical materialists such as Richard Dawkins and Daniel Dennett, Scruton argues that human beings cannot be understood simply as biological objects. We are not only human animals; we are also persons, in essential relation with other persons, and bound to them by obligations and rights. Our world is a shared world, exhibiting freedom, value, and accountability, and to understand it we must address other people face to face and I to I. Scruton develops and defends his account of human nature by ranging widely across intellectual history, from Plato and Averroes to Darwin and Wittgenstein. The book begins with Kant's suggestion that we are distinguished by our ability to say "I"--by our sense of ourselves as the centers of self-conscious reflection. This fact is manifested in our emotions, interests, and relations. It is the foundation of the moral sense, as well as of the aesthetic and religious conceptions through which we shape the human world and endow it with meaning. And it lies outside the scope of modern materialist philosophy, even though it is a natural and not a supernatural fact. Ultimately, Scruton offers a new way of understanding how self-consciousness affects the question of how we should live. The result is a rich view of human nature that challenges some of today's most fashionable ideas about our species.

A superbly insightful and moving exploration of Wagner's last opera, by one of Britain's leading intellectuals Wagner's last music-drama tells the story of Parsifal, the 'pure fool, knowing through compassion', who has been called to rescue the Kingdom of the Grail from the sins that have polluted it. The Grail is a symbol of purity in a world of lust and power, but although Parsifal is the culmination of Wagner's life-long obsession with the religious frame of mind, the redemption sought by his characters is far from the Christian archetype. For Wagner, redemption occurs inthis life, when compassion prevails over enslavement, and purity replaces spiritual pollution. His music here ties together suffering and contrition, sin and forgiveness, downfall and redemption in an inextricable knot, healing the fractures and uniting the warring elements in human life in a way that is clear, convincing and uncanny. More than any other of his works, Parsifal expresses in music a depth of feeling for which we do not have words. This short but penetrating book, by a writer who was uniquely both a leading philosopher and musicologist, shows us how Wagner achieves this profound work, explaining the story, its musical ideas, and their coming together into a sublime whole which gives us the musical equivalent of forgiveness and closure. There are few writers who can so enhance our understanding of one of the greatest works in western music.

In this timely new edition of his classic book A Political Philosophy, celebrated conservative philosopher Roger Scruton interrogates contemporary values, virtues and morality. What principles should govern our relations to animals, the nation state, the environment and other ways of life? What does modern marriage look like? What is Enlightenment and how has its inheritance made itself known? How should we approach religion, evil and death? What explains the rise of totalitarianism and how should we respond to nihilism?

In these philosophical reflections, Scruton adopts his characteristically articulate and unorthodox tone, making no concessions to intellectual fashion. The result is a book of bold, clear thinking that will seem refreshingly logical to many, particularly those seeking a return to first principles in an increasingly baffling age of modernity.

What is culture? Why should we preserve it, and how? In this book, renowned philosopher Roger Scruton defends Western culture against its internal critics and external enemies, and argues that rumors of its death are seriously exaggerated. He shows our culture to be a continuing source of moral knowledge, and rebuts the fashionable sarcasm that sees it as nothing more than the useless legacy of "dead white European males." Ranging widely over the arts and philosophy, Scruton defends what Eliot called "the common pursuit of true judgement" against the dismissive attacks of the new academicians. In his striking account of music and its role in moral education, he defends the classical tradition as well as the American popular song, and points to the damage done to the psyche by the new forms of pop. He is robust in defense of traditional architecture and figurative painting; critical of the fashionable relativists, such as Michel Foucault, Edward Said and Richard Rorty; and urgent in his plea for our civilization, which more than ever stands in need of the self-knowledge and self-confidence that are the gift of serious culture.

The Disappeared is a story of our times, of kidnap and rescue, of abuse and healing. It is the story of Stephen, a teacher whose love for the pupil who shares his dreams brings him face to face with ruin; of Sharon, the child of a feckless stepmother, and her criminal abusers; of Laura, the investigative high-flyer, now faced with rape and sexual slavery; of Justin, environmentalist and Heavy Metal fan, whose obsession with Muhibbah, rescued from forced marriage, spells disaster for them both. It is the story of a police force fearful of charges of racism, and a social worker, Iona, expected to make a viable community from fragments that will not join. With dizzying speed The Disappeared uncovers the chaotic underworld of a Yorkshire city, its characters eventually stumbling across one another in a single catastrophe. A victim may bring redemption: but who will it be?